Sentimental Education

As I'm sure you can understand, I was disappointed not to have been taken up on my offer to model for Christian Lacroix's Fall 2009 Haute Couture show, but I am too big a person to let that color my feelings about the show itself. Besides, I'm sure it was just an oversight -- no doubt things at the atelier were absolutely tornadic for the last month and I'm sure someone just forgot to respond to my e-mail. I'm more than willing to forgive and forget.

Surely, M. Lacroix has bigger fish to fry than one small-potatoes fashion blogger's thirst for catwalk glory. The House of Lacroix is in the French equivalent of Chapter 11 bankruptcy protection, put there while its owner, the Falic Group, sorts out what's going to happen next. Without a buyer to step in and take over, the situation is precarious. There are rumors circulating that luxury goods Godzilla (and one-time owner of the house) LVMH might step in, but so far nobody's sayin' nothin'. (There are a lot of folks in government who could learn a thing or two about zippin' the lip from fashion industry insiders -- it's like the mafia or something with those people.)

Because the finances of the business are in such dire straits, orders for the last two collections from department stores have been canceled and the clothes will not be produced, which means that Lacroix's boutiques worldwide will have to be shuttered -- they will have nothing to sell. This makes me unspeakably sad, not just because of all the craftspeople and sales staff who will lose their livelihoods, but because M. Lacroix's clothing deserves to exist. The world needs more joy, and Lacroix is a bringer of joy. His clothing is merry, exuberant, bursting with life. I don't know about you, but I could do with a little bit more of that in the world.

The Falic Group did not want Lacroix to stage a couture show this season, but Monsieur was having none of it. He was determined to create work for all of the seamstresses and craftspeople who bring to life his marvelous creations. To that end, he called together all his suppliers to ask if they could help out, and they did. Practically everything in this show was donated, from the hats (Cheri Bibi) to the shoes (Roger Vivier) to even the venue of the show itself (a suite of rooms at the Musée des Arts Decoratifs). Whatever fabrics didn't come from the Lacroix storerooms were also donated by high-end European producers. Only the models were paid -- the minimum sum allowed by French law, a paltry €50. (I think even Linda Evangelista would have gotten out of bed for M. Lacroix in these circumstances.)

I'm sentimental at heart (Stop laughing! I do SO have a heart!), and knowing about all this makes me warm & fuzzy inside. It's wonderful, of course, to hear about folks being nice to one another -- we can never get too much of that. But it also warms Style Spy's cockles to know that there are people in the world willing to make sacrifices for fashion -- for the Goddess of Haute Couture whose death is predicted again and again in an annual cycle of pessimism and surprise. I feel very strongly, for reasons I've nattered on about before so I'll spare you, that couture is important. Like any art form, we'd be less human if we lost it.

And Christian Lacroix is one of our great artists. Take a look at what he can produce even in these circumstances...

I just love this. It certainly is much simpler than what we usually expect from Lacroix -- absolutely no bells & whistles. But this is really very much my sort of thing, that trapeze shape and beautiful ink-blue silk.

And this dress -- also gorgeous. Both of the above dresses were described in reviews as having very low backs with bows tucked in strategic places. I couldn't find any detail shots anywhere online -- I don't know if it's just too soon or if the usual sources just decided not to provide them -- but I'm hoping I'll track some down soon.

The collection was described as "somber" by a lot of reviews, and it certainly did lack the usual Lacroixian riot of color, pattern, and embellishment. But even so --

this is what passes for somber at Lacroix. We should all be so somber, huh? Oh, that Yves Klein blue! It's like a living organism, it's so vibrant. Je l'adore!


Especially interesting to me after the lingerie delirium of Dior was how much lace and sheerness was on display in this collection.

It's time to go shopping for nice new underduds, ladies, because apparently we're having a see-through moment. It's been going on for a bit now, done in interesting, unexpected ways like the laser-cut leathers that have been all over the place, the patent-leather grids at YSL, the hypnotic, Rapunzel-like fringe at Jil Sander; as well as the more tradition chiffons and tulles and point d'esprits. Remember Miuccia Prada's seminal laces from Fall 2008? That may have been where it all started.

But this isn't lace in the service of irony, or surprise, or subversion. This is really just lace in the service of beauty. Good googly-moogly, that makes my heart skip a beat, it's so lovely.

Breathtaking.

We all know I'm a fool for tulle. (Apparently, I'm also a poet & don't know it!)

I think I'd like to get that printed on a t-shirt: Fool For Tulle. Actually, I think I'd just rather get this dress, which makes the point in a more interesting way.

This just makes me crazy. Because it's perfect, that's why.

And this may be my favorite thing in the entire show.

It's a wearable Franz Kline painting! That is so crazy-chic I wouldn't know what to do with myself if I got to wear it. I'm pretty sure in that dress my French would improve leaps & bounds. It probably comes with a glass of Pernod and a Gauloise. I have to say, I'd probably wear it with red shoes, but that's just me. It would also be brilliant with black knee-high boots.

Lacroix, sweetie:

A recognizable silhouette, yet only done in blue, black and white. That's about 43 colors short of what you usually find in a Lacroix dress of this sort. This is certainly a reason why Cathy Horyn & others proclaimed this collection to be more subdued than Lacroix's usual, and they were certainly right. Even so, these are beautiful, happy clothes. (And if you don't believe me, how's about we put me in that black & white number & see how happy I get? Dude, I'll make Cuba Gooding at the Oscars look like he just buried his grandma, I'll be so happy.)




For a great wrap-up of the Lacroix situation and some thoughts from M. Lacroix himself, check out this terrific article by Hamish Bowles on Vogue.com.



Images: Style.com, NYTimes.com

Wherein Style Spy Selflessly Volunteers for a Good Cause

As you may have heard, Christian Lacroix is in trouble. His company filed for the French equivalent of Chapter 11 bankruptcy in late May and the company is currently shaking down and possibly undergoing some major re-structuring. With all that, M. Lacroix has declared that he still intends to hold a couture show this July in Paris. He says, "It can't cost us a single euro to put this show on, because I'm not having my workers lose a penny from their pockets, but so far, it looks like thanks to other people's kindness – friends and suppliers working for free – it might happen." This means that everyone associated with the show, including models, will have to volunteer and work without pay.

Okay, where do I sign up? Seriously. This is a cause for which I have absolutely no problem volunteering. I will more than happily do my bit to save Fashion. Yours truly has absolutely no extra money right now, but I would beg, borrow, or steal a kidney to get a ticket to Paris in order to amble down the Lacroix runway in something like this:

(Because I? Would ROCK that suit.)

or this

(I'll even let them put a little cinnabun thingie on top of my head if they want. I'm cool.)

and if they wanted to gimme a little sumpin'-sumpin' to take home as a soovie, these would do juuuuuust fine:

So.

I've taken the liberty of contacting the nice people at Christian Lacroix and volunteered my services as a model. I don't feel this is completely out of the realm of the possible, since Lacroix publicly supports British Vogue editor Alexandra Shulman's call for models who are not so cadaverously thin as the current trend demands: "Very skinny women don't look beautiful in clothes. What I cannot stomach, because it evokes the war to me, is when you can see a woman's kneecap protruding in its entirety, skinny elbows, or a woman's chest bones." (See? This is a man whose company deserves to be saved!)

If you'd like to support your Style Spy's efforts here, please feel free to contact them via e-mail to advocate for my cause. If they let me do it, I promise to take lots & lots & lots of photos and come back with the fashion scoop of a lifetime, so everyone wins! (Just be aware that if they agree, I'll be hitting you all up for frequent flyer miles!) And remember -- this isn't about me, or my selfish couture desires -- it's about saving Fashion!!

In the meantime, you can do your bit to help save Christian Lacroix by doing what we love to do best: shopping! How about these? (click photos for links!)

J'adore beaucoup this beaded Eiffel Tower motif, and have shown you the high-heel version of these shoes before. But these are even better because they're flats, so I wouldn't need a special occasion to walk around with my favorite icon on my feet -- I could wear them to the grocery store! Oh, so love!

Or these lovely things

which I featured a runway version of on this blog many, many moons ago. Such a pretty boot. Wouldn't those be great with a black pencil skirt and a charmeuse blouse? Just a little extra sexy added to classic. ::sigh::

At the very least, let's all hold a good thought for M. Lacroix, a man who is generally considered in the fashion world to be a genuine sweetheart. Lacroix is one of the truly great creative minds in fashion today, his designs season after season represent the limitless possibilities of couture -- the wild flights of fancy, the exuberance, the astonishing eye for detail, the riotous colors, the tumult of pattern and fabric and texture all meticulously crafted by artisans at the pinnacle of their crafts. Losing Lacroix would bring us one step closer to the demise of that brilliant, beautiful and necessary species called couture, one step closer to a uniform world of gray jumpsuits and workboots.

Images: Style.com